Thursday, April 10, 2008

Piano Styling - It's What Separates The Men From The Boys

By David Lngo



Piano styling is an art of its own. In a way, it's what "separates the men from the boys" when it comes to piano playing. It's certainly one thing to acquire basic piano skills, such as developing technical versatility, reading ability, and even a decent aptitude for interpretation... it's quite another to be able to improvise at will. In my nearly 30 years of teaching experience, I have made contact with so many people of various backgrounds - those with no piano experience to those with lots of it. Interestingly, even the majority of those with years of playing behind them, who had already achieved a certain mastery of the basic skills mentioned above, viewed improvising on piano (piano styling) as somewhat of a mystery.


The reason? It's pretty simple. They were not exposed to the art. Playing piano and interpreting and performing the music of the "classical" masters is an accomplishment of its own (and a worthy one at that) - but it's what most piano students are taught. Why? It's the "status quo," one might say. It's the most understood. It's what degrees that are earned have been based on for ages. When the art of jazz came along, which is still a new art form, that which wasn't understood by the already so-called "master players" was frowned upon...yet, many of them secretly envied the guy or gal who was capable of playing a pop tune in three or more different ways (would Beethoven have appreciated such an endeavor on his Fur Elise?).


If an art from is not understood by the majority, then it stands to reason that the majority of instructors won't be teaching it, due to their lack or limitation of understanding. Makes sense, right? Yet, if you asked 100 people today who either have no experience or have had a few years of piano lessons what they really would like to learn on the piano, it would be interesting to hear the responses and what most of them point to. People want to create - it's an innate desire. They want to have the know-how to sit down at the piano and play, without having to endure tedious years of "university style" lessons before they have fun. Is this fair on their part? Sure it is! The truth is, you don't need years of lessons before you can play - furthermore, you don't need years of training before you can learn how to play creatively. As a matter of fact, you can (within a very short period of time) learn how the professionals do a lot of what they do if only - yes, if only - you could get them to share it with you.


Thankfully, there are a few out there who recognize this public desire and who share bits and pieces of what they know. If you mix your desire to learn with your passion to play and improve your playing, you can make the kind of progress that will amaze even yourself. I created a program that is aimed at people opening up their minds (and musical ears) to creative piano playing called Pro Piano Chord Secrets. It consists of a weekly program that you receive via email which unveils many of the secrets the piano pros have used for years. It no longer has to be a mystery. The program is free of charge as well. If you have a tiny bit of piano knowledge, this will certainly enhance your understanding. In short, you'll be having more fun at the piano. If you want to learn something, commit yourself to learning it. Investigate the resources that can help you. Don't accept the "status quo" just because others do. Take your understanding to the next level. It applies to learning piano as it applies to any other facet of your life. Just because people you know have been doing the same things in the same ways for years doesn't mean that you aren't meant to go beyond that. If you're a classical musician, for example, and you feel an inner need to be more of a creator than a follower, then by all means be willing to admit that, even with you current abilities (which may be excellent), you still have a limited understanding. After all, the only real way we can ever make any significant progress in any area of our lives is to be open to the idea (or fact) that there is more to learn than what we already know. Face the facts. Take the leap. Learn.








David Longo has been performing and teaching piano for well over 25 years. He is particularly recognized for his online programs, which are effective, fun, and motivating. His Jazz Piano 101 online program is especially popular and is devoted to more than just jazz studies. Practice techniques, staying motivated, and making practice fun are among the topics that are discussed in great detail in this program which is totally customized to the individual. Be sure to tune into Piano Amore for more practice tips, advice, and strategies. New piano information is added every week!


Enter the Dragon - The Life of Bruce Lee

By Andrew Regan Platinum Quality Author



Though Seattle is most famous for its influence on the grunge scene, its sports teams and being the home of corporations like Microsoft and Starbucks, one of Seattle's most famous residents was martial arts legend Bruce Lee.


Born to a Chinese father and a mother of Chinese and German ancestry in San Francisco in 1940, Lee moved with his parents to Hong Kong when he was only three months old. Lee's father was a famous Cantonese Opera star, and was encouraged to follow in his footsteps. However, after getting into trouble with the police following a streetfight when he was 18, Lee's parents decided to send him to the US to live with a friend of his father's.


After living in San Francisco, Lee moved to Seattle, where he completed his high school education and received a diploma from Edison Technical School. He would go on to enrol at the University of Washington as a drama major and also took philosophy classes. During his studies he would go on to meet Linda Emery, his future wife, with whom he had two children, Brandon and Shannon.


Upon his arrival in the United States, he decided to abandon thoughts of a film career and pursue one in martial arts instead. However, after an impressive show at the 1964 Long Beach Karate Tournament, he gained the attention of important figures in the entertainment industry, which would land him the role of Kato alongside Van Williams in the TV series The Green Hornet. Though the show only lasted one season, it was massively popular in Hong Kong, where it was billed as the Kato Show. He would reprise his role of Kato on the Batman TV show starring Adam West, and gained further media attention thanks to a role in the 1969 neo-noir film Marlowe.


Fed up with his sidekick roles, Lee returned to Hong Kong and was given his first leading role in 1972's The Big Boss. It was a phenomenal success in Asia and propelled him to superstardom. These were followed by Fist of Fury and Way of the Dragon, both showcasing Lee's exceptional physique, mastery of all forms of martial arts and relentless work ethic.


In 1973 Bruce starred in Enter the Dragon, giving him his big break in the US and Europe. The film was made on a budget of US$850,000 and has to date grossed over $200m worldwide. Sadly, just three weeks before its release, Lee mysteriously died in his sleep after complaining about a headache, aged just 32.


Lee was buried in Seattle, and today the hotels in Seattle receive fans from all over the world looking to make the pilgrimage to their hero's grave at Lake View Cemetery.


Though he lived a short life, his influence on the popularity of martial arts as a sport and its incorporation into motion pictures is undeniable - three decades after his death, he is still the yardstick against which all other martial arts practitioners and films must be measured.








Andrew Regan is an online, freelance author from Scotland. He is a keen rugby player and enjoys travelling.